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2006/8/14 由卫斯理想到的 放暑假前借了本卫斯理,刚放假没几天就看完了,但一直到今天才为它来写点东西。 书的内容已经记得不是很清楚了,大致是关于投胎及永生的,有点类似于以前看过的《活路》,但感觉没有以前那么好看了:卫斯理一贯的叙事风格,现在看来显得啰嗦;也没有以前出乎意料的想象力,反倒迷信起来。韩寒说卫斯理的名字来源于“Westrel”(本来不知是哪国语言,因为英语中没有这个词,但他说解释为“废品”,原来是他拼错了,应该是Wastrel),但初中的一篇英语课文让我知道应该是Wesley比较恰当。从初中开始就痴迷卫斯理,那时几乎把图书馆里所有他的书都借遍了,如今看了已不下30本,可进大学一年来还是第一次看。也许是我长大了,而卫斯理却一直没变。 以前看完书都会做读书笔记。这个习惯是小学里参加红读小组(红领巾读书小组)时养成的,起先是老师要求,竟一直自己保持了下来。那时学校规定每个人都要参加兴趣小组,其他又没什么好选,就选了这个,从此便与书结下了不解之缘。那时除了定期的活动外,平时中午一有空就会泡在图书馆里,几乎什么类型的图书都看,竟然还借过伽利略,弄得我爸以为我对物理很感兴趣,超前跟我讲起离心力。。。上了初中后,图书馆每周一个年级只有一天开放,于是每周只能借一本,其它时间早早地到阅览室门口排队,每天看一点,这样竟也看完了不少书。看完后还做摘抄,遇到精彩的整段整段地抄,为了在还书前抄完,特地早上一清老早爬起来抄。积攒下来应该也能订成厚厚一本,翻开尽是密密麻麻的字。那时的情形如今想起来都觉得不可思议,自己佩服小小年纪的自己,感叹今非昔比。也许会说现在没有以前那么多的时间,但其实真正减退的是那份热情。。。 2006/5/15 the Call of the WildIn addition to making me struggle with the book report ,the call of the wild has leftme a deep impression on me, esp. some quotations. So I'd like to share them with you:
He was beaten (he knew that); but he was not broken. He saw, once for all, that he stood no chance against a man with a club. He had learned the lesson, and in all his after life he never forgot it. That club was a revelation. It was his introduction to the reign of primitive law, and he met the introduction halfway. The facts of life took on a fiercer aspect and, while he faced that aspect uncowed, he faced it with all the latent cunning of his nature aroused.
This irst theft marked Buck as fit to survive in the hostile Northland environment. It marked his adaptability, his capacity to adjust himself to changing conditions, the lack of which would have meant swift and terrible death. It marked, further, the decay or going to pieces of his moral nature, a vain thing and a handicap in the ruthless struggle for existence.
And not only did he learn by experience, but instincts long dead became alive again. The domesticated generations fell from him. In vague ways he remembered back to the youth of the breed, to the time the wild dogs ranged in packs through the primeval forest and killed their meat as they ran it down. . . . Thus, as token of what a puppet thing life is the ancient song surged through him and he came into his own again. . . .
There is an ecstasy that marks the summit of life, and beyong which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete firgetfulness that one is alive. This ecstasy, this forgetfulnessof living, comes to the artist, caught up and out of himself in a sheet of flame;it comes to the soldier, war-mad on a stricken field and refusing quarter.
He must master or be mastered; while to show mercy was a weakness. Mercy did not exist in the primordial life. It was misunderstood for fear, and such misunderstandings made for death. Kill or be killed, eat or be eaten, was the law; and this mandate, down out of the depths of Time, he obeyed.He was older than the days he had seen and the breaths he had drawn,He linked the past with the present, and the eternity behind him throbbed through him in a mighty rhythm to which he swayed as the tides and seasons swayed. |
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